Woman Examining Artificial Leg
Woman Examining Artificial Leg
Couldn't load pickup availability
View on Your Wall
Scan with your phone camera, then tap “View on Your Wall” to place this print in your room.
Print Size & Custom Framing
Print Size & Custom Framing
Listed dimensions refer to the image size. Each print includes an additional border around the image for matting and framing.
Optional matte black hardwood framing is available at checkout. Each frame is hand-crafted with museum-grade white mat board, UV-protected acrylic, and hanging hardware, and ships fully assembled.
Authenticity & Provenance
Authenticity & Provenance
Every print ships with a Certificate of Authenticity.
Depending on the work, prints may also carry an embossed archive seal, edition numbering, estate signature, or additional provenance records, as stated on the product page.
Shipping & Returns
Shipping & Returns
Standard unframed prints dispatch within 3 business days of order confirmation. Custom framing may require 5–10 additional business days. Tracking is emailed when your order ships.
Complimentary insured standard shipping is included for United States orders. UK Standard Shipping is US$20 per order; import charges may apply. See our Shipping policy for details.
For UK orders of standard, non-custom works, notify us within 14 days of delivery, then send the work back within a further 14 days. You pay change-of-mind return postage; there is no restocking fee. Custom-made or personalized works may be excluded where permitted.
US returns are limited to damaged, defective or incorrect works and other returns approved in writing. We cover necessary return costs for faulty or incorrect items. See our Refund policy for the full terms and contact hello@finephoto.art for help.

Woman Examining Artificial Leg
Made in Paris in 1978, Woman Examining Artificial Leg is one of Newton's most direct intersections of fashion, fetish, and surreal object study.
The premise is stark: a woman inspects an artificial leg. Newton lets the object carry the charge, placing the body, the prosthetic, and the act of looking inside the same cool frame. The result is not sentimental, and not simply provocative. It is clinical, theatrical, and strange in the precise way Newton often made ordinary objects feel charged.
Desire and artifice, held in the same cool frame.
The image belongs to his late-1970s world of controlled unease, where desire and artifice are never far apart.
Collection Note
Every photograph is accompanied by full documentation verifying its authenticity and origin within the authorized Newton Collection.